Exhibition of works by Italian artist Modigliani revealed to be almost entirely fake

Prosecutors in Genoa are investigating an exhibition devoted to Italian artist Amedeo Modigliani after an skilled concluded almost all of the 21 work had been fake.

The artwork historian, appointed by a neighborhood courtroom as half of a prosecutor’s probe, decided that no less than 20 of the 21 work displayed through the 2017 Ducal Palace exhibit had been clearly cast, Italian information company ANSA reported. 

The palace closed the present three days early in July, after a massively efficiently run, when prosecutors started investigating doubts artwork specialists had expressed over the authenticity of the work being attributed to Modigliani. 

It is now searching for damages for the embarrassment triggered by the episode from the non-public organisers and calls are rising for it to refund everybody who visited the exhibition. 

Consumer rights activist Furio Truzzi urged exhibition-goers to search refunds primarily based on fraud. His organisation has arrange a hotline for individuals who purchased tickets or travelled to Genoa to see the present. 

In an announcement when it shut down the exhibit in July, the Ducal Palace mentioned the non-public firm was liable for the choice of the works to be displayed and mentioned it might “seek legal protection for its rights and public image”.

Meanwhile Italian artwork collector Carlo Pepi, who was among the many critics who questioned the provenance of the works displayed in Genoa, described the work as ”rubbish” in an interview on Italian state TV’s RaiNews24. 

Modigliani, the early 20th century artist whose fashion as a painter and sculptor was distinguished by elongated necks and faces, died in poverty in Paris in 1920 aged simply 35. 

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A real Modigliani. His ‘Jeanne Hébuterne‘, 1919 (The Metropolitan Museum of Art, New York)

Modigliani fakes have lengthy triggered embarrassment in his native nation as unscrupulous fraudsters have sought to capitalise on the artist’s posthumous fame.

Three marble heads fished out of a canal in Leghorn in Tuscany through the 1980s had been initially hailed as long-lost Modigliani masterpieces nevertheless it turned out a trio of native college students crafted the sculptures as a prank in 1984. 

The house owners of the work placed on show in Genoa are doubtless to search a counter-opinion from different specialists, since precise works by Modigliani would be value hundreds of thousands of . 

The court-appointed skilled, Isabella Quattrocchi, did not instantly reply to a request for remark. Italian information reviews mentioned she concluded that, amongst different particulars, the pigment on the exhibited work wasn’t in step with the type Modigliani used. 

Milan day by day newspaper Corriere della Sera quoted one of the exhibit’s two curators who defended his work, saying he wasn’t the authenticator of the chosen work. 

Curator Rudy Chiappini mentioned: “I gathered the data and the documentation that was provided to me for each canvas. 

“If there have been irregularities, you need to go back to the source, to whoever made the first attribution” that Modigliani created the work. 

“I, until proof to the contrary, remain of the idea that the artworks are good” ones, the newspaper quoted Mr Chiappini as saying.

On the eve of the present’s March opening, Mr Chiappini mentioned: “Setting up an exhibition of Amedeo Modigliani is always a new adventure.”

He added: “I believe that although he painted less than 300 paintings in his life, it’s always worth going through his career, starting from a new painting.”

Additional reporting by AP


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